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  <title>Big Blonde Dorothy Parker</title>
  <link>http://jazzagelitandmusic.pbwiki.com/Big+Blonde+Dorothy+Parker</link>
  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/Big+Blonde+Dorothy+Parker">Big Blonde Dorothy Parker</a></h3>
Bee Palmer<br />Within this short story by Dorothy Parker we are given a glimpse in the depressed state of a woman who has discovered that her value of good looks and good &quot;sport&quot; attitude have worn away with age. The woman that is left without those two parts,is broken and unable to recover a new independent identity. She has the sensation of being trapped and desperately seeks to escape it. Her female identity as a the big blonde is not one that she herself really wants to be, it is one that has been prescribed by her society. Her expected place is to be beautiful and sporty in order to find and keep a man and become a wife. When this formula doesn't pan out, and leaves her divorced, old and emotional she finds that she now fits into the negative defintion of the times. Parker's telling of the Big Blonde is a social critique for her time period. She is stepping back and really looking crtically at the roles of women in society as well as what is defined as successful. Hazel Morse starts out as fulfi]]></description>
  <pubDate>Tue, 04 Dec 2007 00:53:22 +0000</pubDate>
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  <title>The Weary Blues Langston Hughes</title>
  <link>http://jazzagelitandmusic.pbwiki.com/The+Weary+Blues+Langston+Hughes</link>
  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/The+Weary+Blues+Langston+Hughes">The Weary Blues Langston Hughes</a>]]></description>
  <pubDate>Thu, 29 Nov 2007 18:22:53 +0000</pubDate>
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  <title>FrontPage</title>
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  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/FrontPage">FrontPage</a></h3>
Wikipedia<br />http://www.wikipedia.org/<br /><span style="font-weight:bold;color:green;background-color:#cfc;">Youtube<br />http://youtube.com/</span><br />]]></description>
  <pubDate>Thu, 29 Nov 2007 18:20:36 +0000</pubDate>
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  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/FrontPage">FrontPage</a></h3>
Bibliography<br />Fitzgerald, F. Scott. The Beautiful and Damned. New York: Oxford Univerity Press. 1998.<br /><span style="font-weight:bold;color:green;background-color:#cfc;">First World War<br />http://www.firstworldwar.com/</span><br />Lewis, David Levering ed. The Portable Harlem Renaissance Reader. New York: Penguin Group. 1994.<br />Meade, Marion ed. The Portable Dorothy Parker. New York: Penguin Books. 2006.<br />]]></description>
  <pubDate>Thu, 29 Nov 2007 18:19:25 +0000</pubDate>
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  <title>The Beautiful and Damned Fitzgerald</title>
  <link>http://jazzagelitandmusic.pbwiki.com/The+Beautiful+and+Damned+Fitzgerald</link>
  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/The+Beautiful+and+Damned+Fitzgerald">The Beautiful and Damned Fitzgerald</a>]]></description>
  <pubDate>Thu, 29 Nov 2007 18:15:13 +0000</pubDate>
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  <title>The Beautiful and Damned Fitzgerald</title>
  <link>http://jazzagelitandmusic.pbwiki.com/The+Beautiful+and+Damned+Fitzgerald</link>
  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/The+Beautiful+and+Damned+Fitzgerald">The Beautiful and Damned Fitzgerald</a>]]></description>
  <pubDate>Thu, 29 Nov 2007 18:14:20 +0000</pubDate>
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  <title>FrontPage</title>
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  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/FrontPage">FrontPage</a></h3>
Archibald Motley<br />The Literature and its Music<br /> authors'<span style="font-weight:bold;color:green;background-color:#cfc;"> own</span> references to themusic of<span style="color:red;background-color:#fcc;"> the</span><span style="color:red;background-color:#fcc;"> time</span><span style="font-weight:bold;color:green;background-color:#cfc;"> their</span> period. I will also analyze the added meaningof thesongs referenced in many of the texts written<span style="color:red;background-color:#fcc;"> durnig</span><span style="color:red;background-color:#fcc;"> these</span><span style="color:red;background-color:#fcc;"> times</span> and how theyserve to furtherexpoundmajor<span style="color:red;background-color:#fcc;"> themes.Music</span><span style="font-weight:bold;color:green;background-color:#cfc;"> themes</span><span style="font-weight:bold;color:green;background-color:#cfc;"> that</span><span style="font-weight:bold;color:green;background-color:#cfc;"> came</span><span style="font-weight:bold;color:green;background-color:#cfc;"> out</span><span style="font-weight:bold;color:green;background-color:#cfc;"> of</span><span style="font-weight:bold;color:green;background-color:#cfc;"> the</span><span style="font-weight:bold;color:green;background-color:#cfc;"> eras.Music</span> is a reflection of the social norms<span style="color:red;background-color:#fcc;"> and</span><span style="color:red;background-color:#fcc;"> what</span><span style="color:red;background-color:#fcc;"> is</span><span style="color:red;background-color:#fcc;"> important</span><span style="color:red;background-color:#fcc;"> themes</span><span style="font-weight:bold;color:green;background-color:#cfc;"> andissues</span> such as love,<span style="color:red;background-color:#fcc;"> power</span><span style="color:red;background-color:#fcc;"> and</span><span style="color:red;background-color:#fcc;"> overall</span><span style="color:red;background-color:#fcc;"> mood.</span><span style="font-weight:bold;color:green;background-color:#cfc;"> power,</span><span style="font-weight:bold;color:green;background-color:#cfc;"> successand</span><span style="font-weight:bold;color:green;background-color:#cfc;"> emotions.</span> When authors infuse their works with musical<span style="color:red;background-color:#fcc;"> reference</span><span style="font-weight:bold;color:green;background-color:#cfc;"> references,</span> it is for a reason. It also helps to tie their work to the time period that they are a part of. The flow and importance of naming songs and styles of music popular during]]></description>
  <pubDate>Thu, 29 Nov 2007 18:12:26 +0000</pubDate>
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  <title>The Caucasian Storms Harlem Rudolph Fisher</title>
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  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/The+Caucasian+Storms+Harlem+Rudolph+Fisher">The Caucasian Storms Harlem Rudolph Fisher</a></h3>
Navigation<br />Main Page<br /><span style="color:red;background-color:#fcc;">F.</span><span style="font-weight:bold;color:green;background-color:#cfc;">F</span> Scott Fitzgerald<br />Dorothy Parker<br />Langston Hughes<br />]]></description>
  <pubDate>Thu, 29 Nov 2007 18:04:20 +0000</pubDate>
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  <title>Big Blonde Dorothy Parker</title>
  <link>http://jazzagelitandmusic.pbwiki.com/Big+Blonde+Dorothy+Parker</link>
  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/Big+Blonde+Dorothy+Parker">Big Blonde Dorothy Parker</a></h3>
Navigation<br />Main Page<br /><span style="color:red;background-color:#fcc;">F.</span><span style="font-weight:bold;color:green;background-color:#cfc;">F</span> Scott Fitzgerald<br />Langston Hughes<br />Rudolph Fisher<br />]]></description>
  <pubDate>Thu, 29 Nov 2007 18:03:06 +0000</pubDate>
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  <title>The Beautiful and Damned Fitzgerald</title>
  <link>http://jazzagelitandmusic.pbwiki.com/The+Beautiful+and+Damned+Fitzgerald</link>
  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/The+Beautiful+and+Damned+Fitzgerald">The Beautiful and Damned Fitzgerald</a>]]></description>
  <pubDate>Thu, 29 Nov 2007 18:01:58 +0000</pubDate>
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  <title>FrontPage</title>
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  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/FrontPage">FrontPage</a></h3>
Authors from the Era<br />I will only be able to cover a few of the authors from these two time periods. Some of the more notable connections were present in the works of the following authors:<br /><span style="color:red;background-color:#fcc;">F.</span><span style="font-weight:bold;color:green;background-color:#cfc;">F</span> Scott<span style="color:red;background-color:#fcc;"> Fitzgerald</span><span style="color:red;background-color:#fcc;"> Dorothy</span><span style="font-weight:bold;color:green;background-color:#cfc;"> FitzgeraldDorothy</span> Parker<br />Langston HughesRudolph Fisher<br />Bibliography<br />]]></description>
  <pubDate>Thu, 29 Nov 2007 18:00:53 +0000</pubDate>
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  <title>The Weary Blues Langston Hughes</title>
  <link>http://jazzagelitandmusic.pbwiki.com/The+Weary+Blues+Langston+Hughes</link>
  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/The+Weary+Blues+Langston+Hughes">The Weary Blues Langston Hughes</a></h3>
Taking a closer look at the title, we see that there are direct ties to the song &quot;Weary Blues&quot; byLouis Armstrong and his Hot SevenIf you listen to this song, you will hear the song as bright in tone, the song isn't depressing as the title may suggest. But at the same time you can hear a dialogue that occurs between the players and their instruments. This was history in the makign especailly when we consider the shadow that his work casts on the music of today. Langston Hughes made no mistake when he recognized the true value of what Louis Armstrong and his jazz contemporaries were working on during the Harlem Renaissance. The arts and literature of the Harlem Renaissance are what helped to give it the power and impact that it did. It is a strong part of American history and came to fruition during the 1920-1930's.<br />This is a video rendition of Langston Hughes' poem, &quot;The Weary Blues&quot; set to music and with video from the times.<br /><span style="font-weight:bold;color:green;background-color:#cfc;">Navigation<br />FrontPage<br />F Scott Fitzgerald<br />Doro</span>]]></description>
  <pubDate>Thu, 29 Nov 2007 17:59:10 +0000</pubDate>
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  <title>The Weary Blues; Langston Hughes</title>
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  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim renamed The Weary Blues; Langston Hughes <a href="/The+Weary+Blues+Langston+Hughes">The Weary Blues Langston Hughes</a></h3>
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  <pubDate>Thu, 29 Nov 2007 17:57:25 +0000</pubDate>
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  <title>The Caucasian Storms Harlem; Rudolph Fisher</title>
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  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim renamed The Caucasian Storms Harlem; Rudolph Fisher <a href="/The+Caucasian+Storms+Harlem+Rudolph+Fisher">The Caucasian Storms Harlem Rudolph Fisher</a></h3>
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  <pubDate>Thu, 29 Nov 2007 17:56:57 +0000</pubDate>
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  <title>Big Blonde; Dorothy Parker</title>
  <link>http://jazzagelitandmusic.pbwiki.com/The+Weary+Blues+Langston+Hughes</link>
  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim renamed Big Blonde; Dorothy Parker <a href="/Big+Blonde+Dorothy+Parker">Big Blonde Dorothy Parker</a></h3>
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  <pubDate>Thu, 29 Nov 2007 17:56:37 +0000</pubDate>
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  <title>The Beautiful and Damned; Fitzgerald</title>
  <link>http://jazzagelitandmusic.pbwiki.com/The+Weary+Blues+Langston+Hughes</link>
  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim renamed The Beautiful and Damned; Fitzgerald <a href="/The+Beautiful+and+Damned+Fitzgerald">The Beautiful and Damned Fitzgerald</a></h3>
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  <pubDate>Thu, 29 Nov 2007 17:56:23 +0000</pubDate>
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  <title>FrontPage</title>
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  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/FrontPage">FrontPage</a></h3>
Langston HughesRudolph Fisher<br />Bibliography<br /><span style="font-weight:bold;color:green;background-color:#cfc;">Fitzgerald, F. Scott. The Beautiful and Damned. New York: Oxford Univerity Press. 1998.<br />Lewis, David Levering ed. The Portable Harlem Renaissance Reader. New York: Penguin Group. 1994.<br />Meade, Marion ed. The Portable Dorothy Parker. New York: Penguin Books. 2006.</span><br />The History of Jazz Before 1930; The Red Hot Jazz Archive<br />http://redhotjazz.com/<br />]]></description>
  <pubDate>Thu, 29 Nov 2007 17:54:19 +0000</pubDate>
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  <title>The Caucasian Storms Harlem; Rudolph Fisher</title>
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  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/The+Caucasian+Storms+Harlem%3B+Rudolph+Fisher">The Caucasian Storms Harlem; Rudolph Fisher</a>]]></description>
  <pubDate>Thu, 29 Nov 2007 17:49:10 +0000</pubDate>
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  <title>The Beautiful and Damned; Fitzgerald</title>
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  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/The+Beautiful+and+Damned%3B+Fitzgerald">The Beautiful and Damned; Fitzgerald</a></h3>
The Beautiful and Damned<br /> class<span style="color:red;background-color:#fcc;"> order</span><span style="color:red;background-color:#fcc;"> that</span><span style="color:red;background-color:#fcc;"> is</span><span style="font-weight:bold;color:green;background-color:#cfc;"> and</span><span style="font-weight:bold;color:green;background-color:#cfc;"> were</span> not interested in working to earn money but<span style="color:red;background-color:#fcc;"> are</span><span style="font-weight:bold;color:green;background-color:#cfc;"> were</span> drawn to the art of doing nothing but what submits to the senses and impulses of a life of leisure. Theyspend a great deal of time at the shows, going to social dances and throwing extravagant parties and the musical references appeal to that aspect of their personalities.The frivoloty of how they lead their lives is evident by their overwhelming attention to entertainment and music.<span style="color:red;background-color:#fcc;"> They</span><span style="font-weight:bold;color:green;background-color:#cfc;"> There</span> is very little in the way of serious issues that affect them until much later in the novel when they are forced to finally face reality. Money and the realness of growing old gives them a big wake-up call though they are still never too far from where they started. Fitzgerald interweaves this novel with particular songs in order to further express the idealism of Anthony and Gloria as golden children of the<span style="color:red;background-color:#fcc;"> </span>]]></description>
  <pubDate>Thu, 29 Nov 2007 17:47:25 +0000</pubDate>
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  <title>The Beautiful and Damned; Fitzgerald</title>
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  <author>email.hidden@example.com (Kim)</author>
  <description><![CDATA[<h3>Kim edited <a href="http://jazzagelitandmusic.pbwiki.com/The+Beautiful+and+Damned%3B+Fitzgerald">The Beautiful and Damned; Fitzgerald</a></h3>
pg. 81 &quot;He's a Rag Picker&quot; is a song from 1914 by Irving Berlinthat is mentioned in the novel.The lyrics to this particular song serve as an ode to the style of paino playing known as Rag time. This is is a distinct mark of the era from which Fitzgerald is writing about. This was a very popular and catchy tune and the sheet music for this song is still heavily coveted to this day. This song is refererenced when Muriel and Maury are dancing with one another. Muriel quietly sings the song while holding onto Maury. She is described in this scene as very much a seductress. She is entranced and holding onto the nape of Maury's neck with the zealousness of a vampire preparing to bite. This connotation is telling because of the stereotypical roles of women during the twenties. Fitzgerald defines her personality when he writes, &quot;She was got up to the best of her ability as a siren, more popularly a &quot;vamp&quot;--a picker up and thrower away of men, an unscrupulous and fundamentally unmoved toyer wi]]></description>
  <pubDate>Thu, 29 Nov 2007 17:43:04 +0000</pubDate>
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